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Travel literatureThere are 37 items

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  • Martinelli (Domenico), active 1669-1694

    Venice, Lorenzo Baseggio, 1705 (sub-title: 1704)
    Second edition of an extraordinarily detailed guidebook for visitors to Venice, previously published in 1684, and here “Ampliato con la relazione delle Fabriche Publiche, e private, & altre cose più notabili successe dall’anno 1682 sino al presente 1704 da D.L.G.S.V.” (i.e. Don Lorenzo Ganassa, Sacerdote Veneto).
  • De Migieu (Abraham-Guy), 1718-1749

    [Dijon & Italy], 1739-1740

    The journal of a tour through Italy made in 1739-1740 by Abraham-Guy de Migieu, the elder son of Abraham-François de Migieu (1682-1735), marquis de Savigny-sous-Beaune, président à mortier of the Parlement of Dijon. Written with different pens and inks, with phrases scored out, and other corrections, the manuscript seems the actual document compiled by the young traveller during his itinerary. The writer follows the usual conventions of manuscript travel diaries, presenting geographical, historical, and architectural information on major locations and landmarks, interlaced with his own observations and opinions. Some of the latter concern one of his travelling companions, Charles de Brosses (1709-1777), and offer an enlightening perspective on De Brosses’ published account of their journey. The free expression of the author’s feelings strongly suggests that he wrote for his own reference, and did not intend that his memoir should circulate among family and friends.

    Bound with [Anonymous], Mémoire des plus excellens tableaux et statues qui sont dans les églises de Rome.
    Bound with [Anonymous], Remarques sur le voyage d’Italie – Voyage d’Italie fait en 1664.
    Bound with [Anonymous], Traité des anciennes familles de Rome.
    Bound with [Anonymous], Traité du gouvernement civil et ecclésiastique de Rome.
    Bound with [Cudanson, Guillaume (c. 1575-1640)?], Mémoire de mon voiage d’Italye commencé le jour de feste de la nostre dame d’aoust de l’année 1623.

    The manuscript was preserved after Abraham-Guy’s death in 1749 by his younger brother, the bibliophile Anthelme-Michel-Laurent de Migieu (1723-1788). In 1754, Anthelme caused it be bound with other manuscript accounts of journeys made in Italy, recording the date and the price of the binding on the lower endpaper: 1754 | 4 li[vres] 10 s[ols]. He placed Abraham-Guy’s manuscript (15 folios) at the front of the volume, supplying himself a handwritten “title-page”: Voyage d’Italie par Abraham Guy Demigieu conseiller au parlement de dijon en 1739. An earlier manuscript journal, documenting a voyage to Italy undertaken by ‘Cudanson’ in 1623, was placed at the end: Mémoire de mon voiage d’Italye commencé le jour de feste de la nostre dame d’aoust de l’année 1623 (39 folios). In between were bound seventy folios of blank paper. On these blank leaves Anthelme copied four accounts of Italy which he found in manuscripts in the libraries of two friends, Charles-Marie Févret de Fontette (1710-1772) and abbé Jérôme Richard (1720-1795).

  • Ratti (Carlo Giuseppe), 1737-1795

    Genoa, Paolo & Adamo Scionico, 1766
    The first guidebook to Genoa, compiled by the painter Carlo Giuseppe Ratti, director of the School of Painting at the Accademia Ligustica di Belle Arti, and dedicated to Girolamo Durazzo by its publisher. This first edition is scarce: no copy has yet been obtained by the Getty Research Institute, National Gallery of Art, Metropolitan Museum of Art, Canadian Centre for Architecture, or Bibliotheca Hertziana, all in recent years active collectors of “Le fonti della storia dell’ arte”.
  • Daniell (Thomas), 1749-1840; Daniell (William), 1769-1837

    London, 1795-1807 (1808)
    Complete set of “the finest illustrated work ever published on India” (Tooley). The work comprises six series of engravings of Indian views, three published under the title “Oriental Scenery”, and three as “Twenty Four Landscapes, Views in Hindoostan”, “Antiquities of India”, and “Hindoo Excavations in the Mountain of Ellora”, with altogether 144 hand-coloured aquatint plates (and six sepia aquatint title-pages). An octavo volume of text was issued with each part, probably when each series reached completion. Perfect sets like the present one, in fine original condition, including all plates and text volumes, very rarely appear on the market.
  • Cassas (Louis François), 1756-1827

    Paris, Imprimerie de la République, 1799
    Fine set of this uncompleted work documenting ancient sites and scenes from daily life observed during the author’s travels in 1785-1787 through the Ottoman Empire. Few copies contain much (if any) text and the number of plates varies from about 170 to 192 (the latter total in an unidentifiable copy cited by Cohen-De Ricci). Our copy contains 178 plates (plus five duplicate plates). The copy in the British Library contains 40 leaves of text and 180 plates; the same number of plates is reported in the Blackmer copy. The copy in the British Architectural Library contains 179 plates avant la lettre and its cataloguer speculates that the total number of plates published was 183 (all 180 plates present in the British Library copy, plus plates numbered 23 bis and 109 bis in volume I, and a plate numbered 77 bis in volume II). At the Getty Research Institute is a collection of documents, manuscript material, and drawings, made in preparation for the publication; it is said to contain “a letterpress title page, indices, tables for the arrangement of prints” and “190 printed proofs”.
  • Denon (Dominique Vivant), Baron, 1747-1825

    Paris, De l’Imprimerie de Didot l’Aîné, 1802
    Magnificent copy of the first edition of Denon’s account of his travels in Egypt as a participant on Napoleon’s Egyptian campaign, combining topographical observations with the first comprehensive and accurate descriptions of ancient Egyptian architecture. The work was an instantaneous success, enjoyed an extensive circulation in several languages, and had an extraordinary impact on the architecture and decorative arts in the opening years of the new century. “With its publication the nineteenth-century Egyptian Revival began in earnest” (James Stevens Curl).
  • Salt (Henry), Sir, 1780-1827

    London, William Miller, 1809
    Fine copy of the first edition, with plates printed on a thick paper, mounted on guards and interleaved with card, features designated by Abbey as denoting a copy of an early issue (Abbey’s own copy was a late issue, post-1818).
  • Murphy (James Cavanah), 1760-1814

    London, Cadell & Davies, 1815 [-1816]
    A superbly-bound copy of Murphy’s posthumous work on the Islamic architecture and art of Spain, edited by Thomas Hartwell Horne, and published serially between July 1815 and mid-1816, with the complete volume offered for sale later in that year. The ninety-eight plates are architectural plans, elevations, exterior and interior views; topographical views; and reproductions of antiquities, including the famed Alhambra vases, mosaic pavements, mural paintings, and inscriptions.
  • Society of Dilettanti (London)

    London, Printed by W. Bulmer and Co., published by Longman, Hurst, Rees, Orme, and Brown; and John Murray, 1817
    Fine copy of the first edition. This work was the result of the second Ionian expedition sent by the Society of the Dilettanti to the Levant, undertaken between November 1811 and the summer of 1813. Its members included William Gell, Francis Bedford, and John Gandy. Their greatest discovery was the Temples of Ceres (now called Demeter) and other buildings on the site of the famous Eleusinian mysteries, and Eleusis is the subject of the first five chapters.
  • Laborde (Alexandre Louis Joseph de), Comte, 1773-1842

    Paris, De l’Imprimerie de P. Didot l’aîné́ avec les caractères de Bodoni, 1807-1820
    Fine copy of this encyclopaedic work, composed of plates complementary to a series of historical discourses, remarks on the geography and natural history, manners and customs, of the different regions of Spain.
  • Pacho (Jean Raimond), 1794-1829

    Paris, Librairie de Firmin Didot père et fils, 1827-1828
    First edition of an account of the author’s exploration of Cyrenaica, accomplished between November 1824 and July 1825. On his return to France, Pacho claimed a prize of 3000 francs sponsored by the Société de Géographie in Paris for an account of that part of ancient Libya. A prospectus for the work was circulated in July 1826, projecting fourteen fascicules: four parts of text, imposed in quarto; and ten of plates, in folio, each fascicule priced on papier ordinaire 10 francs and on papier vélin with the engraved plates on papier de Chine 20 francs (“Après le Ier janvier 1827, les prix seront augmentés d’un tiers”). The first fascicules were issued in April 1827; one fascicule of text and three of plates had yet to appear when on 26th January 1829 the author committed suicide. This copy is printed on papier ordinaire, as was the only copy seen in the market in recent times. The same plates were coloured in all copies.
  • Stuart (James), 1713-1788; Revett (Nicholas), 1720-1804

    London, Priestley and Weale, 1830
    A finely-bound copy of the supplementary volume to James Stuart and Nicholas Revett’s Antiquities of Athens (three volumes, 1762-1794), intended by its publishers to rival the so-called “fourth volume”, edited by James Woods from material left by Stuart and Revett, and published by Josiah Taylor in 1816. The work records the discoveries of later travellers to Greece: Charles Cockerell describes the Temple of Jupiter Olympius at Agrigentum; Thomas L. Donaldson, the Temple of Apollo Epicurius at Bassae; William Railton, the Greek Doric Temple at Kardaki on Corfu; William Kinnard, the editor of the volume, contributes an essay on Greek ornament; and William Jenkins another on entasis. “The original plan to include engravings of all the sculptures of the Parthenon was abandoned in favour of a section on the Treasury of Atreus, Mycenae” (Age of Neo-classicism).
  • Laborde (Léon Emmanuel Simon Joseph de), Marquis, 1807-1869

    Paris, Giard (Imprimerie de Jules Didot l’Aîné), 1830-1833
    First edition of a detailed, day-to-day report of the author's exploration of Petra in 1828, illustrated with a fine series of lithographs after his own drawings, and after drawings by his travelling companion, the engineer Louis Maurice Adolphe Linant de Bellefonds, known as Linant Pasha (1799-1883). For at least ten years, until the publication of David Roberts's lithographs, Laborde's illustrations were the only graphic representation of Petra available in the Western world. In this copy, the lithographs are printed on india paper and mounted, as in the Blackmer, Atabey, and Botfield copies; in another issue, they were printed directly on the sheets.
  • Champollion (Jean François), 1790-1832

    Paris, Imprimerie et Librairie de Firmin Didot Frères, 1835-1845
    A fine set in the original sheets of Champollion’s famous publication reproducing the wall paintings and hieroglyphs recorded in Egypt and Lower Nubia during his expedition in 1828-1829 with the Italian scholar Ippolito Rosellini. Although the “Ordre des Quatre Volumes des Planches” (inserted in volume I) calls for 511 plates, the number of plates in a “perfect” set is uncertain. The present copy contains 504 plates and is lacking four plates known in other copies and another four plates listed in the tables of contents, but doubtfully issued. The copy “bien complet de la Bibliothèque d’Art et d’Archéologie de l’Université de Paris” also contains 504 plates (collated by Seymour De Ricci). In comparison, the British Library copy contains 505 plates (our collation); the copy in the Royal Academy (London) also has 505 plates (collation on library OPAC). All copies offered in the market in recent years have been smaller; the Blackmer copy (as collated by Leonora Navari) contains just 495 plates.
  • Kittoe (Markham), 1808-1853

    Calcutta, Published by Thacker and Co., 1838-1841
    The first book on Islamic architecture in India, printed by “The Oriental Lithographic Press” in Calcutta, and issued to subscribers in fascicules consisting of four plates accompanied by a leaf of letterpress. Twelve parts were published in an orderly way (two leaves of preliminaries, twelve leaves of text, and forty-eight plates); thereafter, highly irregularly, until publication was suspended in 1841. No copy is known with the full complement of text and plates (69 plates appear to have been issued; plate XXV: “Doorway of a Merchant’s House, City of Bunarus” is absent in this set). The principal sites documented are in Uttar Pradesh: the Mosque Shahi Qila at Jaunpur, the mosques at Jami and Jhanjhiri, and the Chihil Sutūn at Jaunpur, built by Fīrūz Shah’s governor, and destroyed by the British in 1859. At Agra, Kittoe records the fort and Taj Mahal and sites at Benares and Fatehpur Sikri, all with plates of architectural details. Some Hindu sites are also documented, including the Cow Temple near Agra and the ancient temple to Shiva at Kalpi.
  • Schomburgk (Robert Hermann), Sir, 1804-1865

    London, Ackermann & Co. (Whitehead and Co. Printers), 1841
    A fine, coloured copy in the original printed boards of Schomburgk’s account of his exploration of the Upper Guiana River basin, conducted in three expeditions in 1835-1839 under the auspices of the Royal Geographical Society. It is the first book with coloured plates depicting the topography of the British colony. Abbey’s copy was also in “original stiff wrappers: front wrapper lithographed, as the lithographed title”, but was uncoloured.
  • Girault de Prangey (Joseph-Philibert), 1804-1892

    Paris, Publiés par l’Auteur (Imprimerie Lithographique de Lemercier; Typographie de Firmin Didot Frères), 1846-1855
    Fine, complete copy of one of the earliest publications with illustrations based upon daguerreotype originals. In 1842, Girault de Prangey embarked on an ambitious tour of the Mediterranean, travelling through Greece, Asia Minor, Egypt, Palestine, and Syria. He had begun to experiment a year before with Daguerre’s invention, and took with him a custom-made daguerreotype camera. After travelling for more than two years, he returned to France in early 1845, and began work on a comparative history of Islamic architecture featuring illustrations based on his archive of nearly 900 daguerreotypes, of which some 250 recorded the principal archaeological sites, landscapes, and people of Egypt. According to advertisements, Monuments arabes d’Égypte, de Syrie et d’Asie mineur was projected in twenty to thirty livraisons, each priced sixteen francs, and containing four lithographs printed in two tints accompanied by historical and descriptive text. Only six parts were issued before the publication was abandoned. Although inventoried by the Count de Simony in 1937, and by Helmut Gernsheim in the 1950s, the great majority of Girault de Prangey’s daguerreotypes remained in their original plate boxes, receiving little attention until quite recently. After a large group of plates was seen in the auction rooms, in 2003, it was widely realised that the lithographs illustrating Monuments arabes d’Égypte, de Syrie et d'Asie mineur had been based directly on these daguerreotypes, the artists tracing over the photographic images.
  • Empson (Ralph Horatio Woolnough), born 1894

    London, H.F. & G. Witherby, 1928
    (23 cm), 235 pp., frontispiece and 5 plates. Publisher’s black cloth, title in gilt on spine, blind panelling to the front board (no dust jacket issued). - The faith, rites and customs of the Yezidi tribes of Iraq, worshippers of Melak Taus, “The Peacock Angel”. According to the appended commentary by Sir Richard Carnac Temple (1850-1931), the Yezidi are really extremists (Ghulât) of the Shi’a Muslim sect. There are several clear photographs, together with a plan of the temple of Sheikh Adi ibn Musafir. ¶ Owner’s inscription in ink on endpaper: Chas. M. Hollingham; occasional neat annotation. Bookseller’s label: Thornton & Sons, Booksellers, 11 The Broad, Oxford. Good copy.
  • Williams (Harry)

    London, Robert Hale Limited, [1950s?]
    (25 cm), 460 pp., frontispiece and [16] leaves of plates. Publisher’s red cloth. - First published 1950 (multiple re-printings). ¶ Cloth lightly soiled. Lacking dust jacket.
  • Pescarzoli (Antonio)
    Biblioteca Ambrosiana (Milan)

    Rome, Edizioni di Storia e Letteratura, 1957
    Three volumes (25 cm), I: lxviii, 637 pp. II: 644 pp. III: 659 pp., illustrations. Publisher’s printed wrappers, original card slipcase. - Original, limited edition (700 copies) of the catalogue of the library of travel books and Italian local history collected by Luigi Vittorio Fossati Bellani (1889-1944), since 1958 in the Biblioteca Ambrosiana, Milan. ¶ Fine copy.
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