TechniquesThere are 12 items
-
Mostra di chiaroscuri italiani dei secoli XVI, XVII, XVIII (Gabinetto disegni e stampe degli Uffizi: Cataloghi, 7)
Florence, Casa Editrice Leo S. Olschki, 1956(22.5), 32 pp., 10 illustrations. Publisher’s pictorial wrappers. Out of print (www.olschki.it/libro/9788822210975). ¶ As new. -
Homage to Senefelder : Artists' lithographs from the Felix H. Man Collection (catalogue of an exhibition held at the Victoria & Albert Museum, London, 4 November 1971-30 January 1972)
London, HMSO, 1971(24.5 cm), 43 (1) pp., [6] colour plates, [56] p. of black & white plates. 314 catalogue entries. Publisher’s pictorial wrappers. - Exhibition of the collection of the photojournalist Felix H. Man (pseudonym of Hans Felix Sigismund Baumann; 1893-1985). The collection was sold in 1972 to the National Gallery of Australia through the agency of Ben Weinreb. ¶ Very good copy. -
Die Frühzeit der deutschen Lithographie : Katalog der Bilddrucke von 1796-1821 (Materialien zur Kunst des 19. Jahrhunderts, 16)
Munich, Prestel Verlag, 1975(25 cm), 467 (1) pp., 104 illustrations on 48 plates (included in pagination). Publisher’s cloth, pictorial dust jacket; original plain card slipcase. - Catalogue of approximately 7000 lithographs. A public sale of the author’s personal collection was aborted after the first instalment (Masters of the lithograph, the Winkler collection, Part 1, conducted by Bonhams, London, 6 May 1998). ¶ Excellent, unmarked copy. Lamination beginning to separate from dust jacket. -
An introduction to the woodcut of the seventeenth century
New York, Abaris Books, 1977(29 cm), 282 pp., 192 illustrations. Publisher’s cloth. - Only edition. Educated at the Universities of Berlin, Vienna and Frankfurt, where he concentrated on early book illustration, Lehmann-Haupt emigrated to the United States in 1929, and the following year was named curator of rare books of Columbia University Library. In 1950 he became chief cataloguer for the bookseller H.P. Kraus. ¶ Fine copy. -
Color Printing in England, 1486-1870 (catalogue for an exhibition held at the Yale Center for British Art, New Haven, 20 April-25 June 1978)
New Haven, Yale Center for British Art, 1978(28 cm), ix (1), 72 (2) pp., 72 plates (24 in colour). Publisher’s printed wrappers. - Exhibition of illustrated books and individual prints from the Yale Center’s collection (189 catalogue entries). First edition (reprinted 1986). Wrapper lightly discoloured; otherwise a very good copy. -
Inkunabeln der Lithographie (catalogue of an exhibition held at the Graphisches Kabinet, Stift Göttweig, Steinaweg, Austria, 13 August-26 October 1982; Ausstellung des Graphischen Kabinetts, der Kunstsammlungen und der Stiftsbibliothek, 32)
Stift Göttweig, Graphisches Kabinett des Stiftes Göttweig, 1982(23.5 cm), 113 (3) pp., 52 text illustrations. Publisher’s printed wrappers. - Exhibition of 137 items, printed 1796-1821. ¶ Small abrasion to upper wrapper; otherwise an excellent copy. -
How to identify prints : a complete guide to manual and mechanical processes from woodcut to ink jet
London, Thames & Hudson, 1986(26 cm), 208 pp. (various pagings), 16 p. of plates. Publisher’s cloth, dust jacket. ¶ Very good, unmarked copy. -
Steel-engraved book illustration in England
London, Scolar Press, 1989(26 cm), xvi, 263 pp., 66 plates. Publisher’s cloth, dust jacket. - A history of the introduction and refinement of the steel-engraving process from 1818-1823 and of its rapid rise in popularity as a reproductive medium, followed by chapters entitled “The Art of Steel Engraving” and “The Books” with useful biographies of artists, engravers, printers and publishers, and an account of the ascendancy of rival processes - lithography, wood-engraving, and photogravure. ¶ Very good, unmarked copy. -
Anatomie de la couleur : L’invention de l’estampe en couleurs (catalogue of an exhibition held in the Bibliothèque nationale de France, Paris, 27 February-5 May 1996; and Musée Olympique, Lausanne, 22 May-1 September 1996)
Paris & Lausanne, Bibliothèque nationale de France / Musée Olimpique, 1996(30 cm), 151 pp., illustrations (many in colour). Publisher’s pictorial wrappers. - Catalogue accompanying an exhibition on the evolution of colour printmaking, from the late medieval hand-coloured woodblock to the end of the 18th century. Among printmakers represented are Ugo da Carpi (c. 1480-after 1525), Hercules Segers (1589-1638), Jakob-Christoph Le Blon (1667-1741), and Jacques Fabien Gautier D’Agoty (c. 1716-1785). Reviewed in Print Quarterly, volume 13 (1996), pp.431-433. ¶ Excellent, unmarked copy. -
Lithography's faces : the first generation (checklist for an exhibition held at the Grolier Club, New York, 5 March-11 May 1996)
New York, Grolier Club, 1996(23 cm), [16] pp., illustrations. [54] entries. Publisher’s pictorial self-wrappers. - Exhibition marking the bicentennial of the invention of lithography. Four of the exhibited items were from the Grolier Club’s own collection; all others were loaned by the Metropolitan Museum of Art. For Jean Grolier & His Friends: 125 Years of Grolier Club Exhibitions and Publications, 1884-2009 (New York 2009), P377. ¶ Excellent, unmarked copy. -
Aquatinta, oder, "Die Kunst mit dem Pinsel in Kupfer zu stechen" : das druckgraphische Verfahren von seinen Anfängen bis zu Goya (published in conjunction with the exhibition "Aquatinta oder "Die Kunst mit dem Pinsel in Kupfer zu stechen" held at Kunstsammlungen der Veste Coburg, 27 July-14 October 2007; and Suermondt-Ludwig-Museum, Aachen, 21 June- 31 August 2008)
Coburg & Berlin, Kunstsammlungen der Veste Coburg / Deutscher Kunstverlag, 2007(29 cm), 359 pp., 233 colour illustrations. Publisher’s pictorial boards. - Reviewed in Print Quarterly, volume 25 (2008), pp.331-332. ¶ As new. -
Steel & roses : American prints in the Hersh Cohen collection & botanical books in the Fern Cohen collection : Part 1 : American prints [Part 2 : Botanical books] (catalogue for an exhibition held at the Grolier Club, New York, 8 September-4 November 2011)
New York, Grolier Club, 2011Two parts in one volume, printed dos-à-dos (28 cm), I: 68 pp., illustrations. 89 catalogue entries. II: 59 (1) pp., illustrations (some in colour). 49 catalogue entries. Publisher’s pictorial wrappers. ¶ Excellent, unmarked copy.
Top