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1601 - 2002

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Index Rerum

CostumeThere are 8 items

  • [Album Amicorum]

    Louvain, Jan Baptist Zangrius, 1601
    A rare suite of engravings of female costume accompanied by blank escutcheons with elaborate crests and mantling, intended for blazoning as coats of arms. The title prescribes its use as an “album amicorum”: new acquaintances and friends of the owner were to choose a print, and fill in the template with their coat of arms; sententiae could also be added to the image, as well as a signature and date. Our copy is atypical in containing none of the autographed pages that make up other alba. It was adapted for a different purpose: the prints were interleaved, and French lyric verse entered instead on the blank pages by a courting couple.
  • Anonymous Venetian printmaker, active 1660

    Venice, Con Lic. De’ Supe. & Privileg. [no publisher named], c. 1660-1680
    An engraved ‘Life of the Rake’, an extremely rare set of prints retelling the cautionary tale of the Prodigal Son in seventeenth-century Venice.
  • Bouvier (Augustus Jules), c. 1825-1881

    Paris & London, H[enri]. Gache éditeur, 58 rue de la Victoire; London, pub. by C. Barbe, 60, Regent’s quadrant (Imp. [Joseph] Lemercier a Paris), c. 1846-1848
    A rare series of prints depicting women in the harem, loosely draped, drawn by the English artist Augustus Jules Bouvier, while he was a student in Paris. The prints were first issued individually (or in pairs) in 1846; this collected edition under the title Le Sérail illustré seems to be unknown.
  • Colas (René), born 1888

    Paris, Librairie René Colas, 1933
    Two volumes (25.5 cm), I: viii, 784 cols. II: (iv), cols.785-1412, 69, iii (1) pp. Occasional illustration. 3121 catalogue entries. Bound in quarter-morocco, top edge gilt (original printed wrappers retained). ¶ No. 508 of 1000 copies printed. Fine copy in a collector’s binding.
  • Lotz (Arthur)

    Stuttgart & London, Anton Hiersemann Verlag / Holland Press, 1963
    (25 cm), xii, 274, (2) pp. and 213 illustrations on 108 pages. Publisher’s cloth, printed dust jacket. - A bibliography of textile pattern-books of the sixteenth and seventeenth centuries. The same patterns, printed from the original blocks or more or less skilfully copied, appear repeatedly in books produced by different printers in different towns. To identify successive editions, and decide who copied whom, as Lotz has done, is no light task; his book remains the most authoritative bibliography. Unchanged reprint of K.W. Hiersemann’s 1933 edition. Current publisher’s retail price for softcover reprint €149 (9783777263038; www.hiersemann.de/). ¶ Dust jacket finger-marked; otherwise a very good copy.
  • Nienholdt (Eva); Wagner-Neumann (Gretel), born 1925
    Kunstbibliothek Berlin

    Berlin, Verlag Gebr. Mann, 1965
    Two volumes (30.5 cm), I (A-Q): xix (5), 593 (1) pp., illustrations. II (R-Z): ix (5), pp.595-1166 (1), illustrations. Uniform publisher’s cloth (no dust jackets issued). - Catalogue of the collection assembled by Franz Joseph Freiherr von Lipperheide (1838-1906), ostensibly on the history of costume, but incorporating books, prints, paintings and drawings, on many related subjects, including the dance, theatre, festivities, sports and games. The collection was donated in 1892 to the Kunstgewerbemuseum Berlin and a catalogue published in 1896-1905. The library has been continually expanded over the years and this new edition is entirely revised. ¶ Very fine, unmarked copy.
  • Berckenhagen (Ekhart), 1923-2001; Wagner-Neumann (Gretel), born 1925
    Kunstbibliothek Berlin

    Berlin, Dietrich Reimer Verlag, 1978
    (25 cm), 247 (1) pp., illustrations (some in colour). Publisher’s pictorial wrappers. - 236 catalogue entries. ¶ Very good, unmarked copy.
  • Guérin Dalle Mese (Jeannine), born 1936

    Belluno, Provincia di Belluno, 2002
    (24 cm), 350 (2) pp., illustrations. Publisher’s pictorial wrappers. - Contents: Isabella Campagnol (Mode e tessuti veneziani negli Habiti Antichi di Cesare Vecellio), Grazietta Chiesa Butazzi (L’acconciatura femminile della seconda metà del secolo XVI nei ‘figurini’ del Vecellio), Jeannine Guérin Dalle Mese (Cesare Vecellio e le belle Europee), Jane Bridgeman (‘A guisa di fiume…’: i ‘ritratti’ di Cesare Vecellio e la storia del vestire), Flavio Vizzutti (Alcune considerazioni sull’abbigliamento cinquecentesco nella pittura dell’alto Veneto), Maria Beatrice Bertone (La moda in Friuli nel XVI secolo: iconografia, documenti, manufatti), Monique Rouch (I vestiti dei contadini alla fine del Cinquecento e l’opera dialettale di Giulio Cesare Croce), Roberta Orsi Landini (L’ abbigliamento infantile fra Cinque e Seicento), Carla Paggi Colussi (Alcune osservazioni sui modellari di ricami e merletti del XVI e XVII secolo), Paola Venturelli (Disegni e incisioni per gioielli durante il XVI secolo: modelli e diffusione), Alessandra Geromel Pauletti (Tessili da abbigliamento e arredamento nella pittura cinquecentesca del Basso Veneto), Marco Perale (Stemmi tra storia e costume: il caso dei Piloni), Federico Velluti (Gli ambienti e gli arredi nella vita quotidiana del Rinascimento bellunese), Bianca Concolino Mancini Abram (Il travestimento nella commedia del ’500), Raymond Abbrugiati (Clorinda e Erminia tra la gonna e l’armatura), Anne Boulé Basuyau (Vestire chi c’é e chi non c’é: armature, guarnacca e cenci ne Il cavaliere inesistente), Rosalia Bonito Fanelli (La lettera scarlatta, dal romanzo al film: un’ immagine degli ‘abiti e costumi’ della Nuova Inghilterra nel Seicento), Licia Bagini Scantamburlo-Vigilia (Dalle vesti della seduzione a quelle della vendetta: la contessa Serpieri in Senso di Luchino Visconti), Luciano Cheles (Immagini di moda e immagini artistiche: influssi rinascimentali sulla fotografia di moda contemporanea). ¶ As new.
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