Towards the end of the sixteenth century it became fashionable for Roman patricians to exchange books as mementos of their friendship. The giver’s name and arms customarily were placed on the lower cover, and those of the recipient on the upper cover. The earlier of such Roman “friendship bindings” are simply decorated, for instance two with the Jacobilli family arms and initials G. I. on their lower covers, and Capranica arms and initials C. C. on upper covers.1 Later bindings are more explicit and more decorative, as for example two bound in the Soresini workshop having the Orlandini arms and name “Scipio Orlandi” lettered on lower covers, and Della Fonte arms and name “Ivliani Fontivs” on upper covers,2 and seven also bound in the Soresini workshop with the arms and names on covers of Torquato de Cupis and Giovanni Battista Crescenzi. On four of the latter, De Cupis’s name and the impaled De Cupis-Conti arms appear on the lower covers, and Crescenzi’s name and family arms on the upper covers. On the other three, these positions are reversed (see “Roman friendship bindings: Torquato de Cupis & Giovanni Battista Crescenzi” on this website, Notabilia [link]).
Three “friendship bindings” of Domenico Massimo and Gaspare Ruggeri are known. Two presumably were gifts from Domenico to Gaspare, as Domenico’s name “Dominicus Maximus” and family arms appear on the lower cover, and Gaspare’s name “Gaspar Roggerius” and family arms on the upper cover. The third volume apparently was a gift from Gaspare to Domenico, as Gaspare’s name and arms appear on the lower cover.
Domenico Massimo was born in Rome in 1574, the eldest son of Alessandro Massimo (d. 1626) and Olimpia de Cupis. He held multiple offices in the municipal administration: Consigliere del Popolo Romano (in 1605, 1608, 1614), Caporione di Sant’ Eustachio (1609, 1613), and Conservatori (1632).3 When Federico Colonna, Príncipe de Butera, was appointed viceroy of Valencia, Domenico accompanied him to Spain, and died in Madrid in 1640.
Gaspare Ruggeri was born in Rome in 1572, the second of three sons of Pompeo Ruggeri (Ruggieri), Camerarius of the Compagnia del SS. Salvatore ad Sancta Sanctorum (1590), and Cangenua Miccinelli (d. 1596). He married Firmina Cansacchi, likewise took on Capitoline offices,4 and embarked on a military career in the papal troops. After his father’s death, in 1591, Gaspare inherited a third-share in the magnificent Palazzo Ruggeri, “Il Palazzo del leone rampante”, designed by Giacomo della Porta (1588), and decorated (frescoes in 11 rooms) by Cherubino and Giovanni Alberti (1591-1592), with the stipulation that the palace was to be donated to the Compagnia del SS. Salvatore in the event no family members were left to inherit it. This became reality with the death of the childless Gaspare on 22 July 1657.
Comparative illustration Jacobilli – Capranica friendship binding (no. 1a)
Comparative illustration Scipio Orlandini – Giulio Della Fonte friendship binding (no. 2a)
1. Jacobilli – Capranica friendship bindings:
(a) Gaius Sallustius Crispus, De L. Sergii Catilinae coniuratione, & Bello Iugurthino historiae (Venice: Giovanni Griffio, 1588)
provenance
● unidentified member of the Capranica family, arms (un lione rampante tenente una spada, attraversato da una fascia) and initials “C.C.” on upper cover
● Martin Breslauer, Inc., Catalogue 107: Italy, Part II (New York [1984]), item 262
● Hartung & Hartung, Auktion 60, Munich, 14-16 November 1989, lot 208 (DM 2400); Auktion 110, Munich, 2-4 October 2004, lot 304 (€3400; illustrated [link])
(b) Hieronymus, Epistolae selectae, et in libros tres distributae (Paris: Sébastien & Robert Nivelle, 1589)
provenance
● unidentified member of the Capranica family, arms (un lione rampante tenente una spada, attraversato da una fascia) and initials “C.C.” on upper cover
● Gumuchian & Cie, Paris; their Catalogue 12: Catalogue de reliures du XVe au XIXe siècle (Paris 1930), ítem 105 (“the frame carries in small lobes on each side; upper cover the initals C.C. and lower cover G.I.”) [image, link]
2. Scipio Orlandini – Giulio Della Fonte friendship bindings:
(a) Claudius Claudianus, Opera. Quorum catalogum, post eius vitam, pagina ab hac sexta, reperies (Lyon: Antoine Gryphe, 1589)
provenance
● Giulio Della Fonte, family arms and “Ivliani Fontivs” lettered on upper cover
● Michael Tomkinson (1841-1921)
● Sotheby & Co., Catalogue of the extensive and valuable library, the property of the late Michael Tomkinson, London, 3-7 July 1922, lot 1284 [link]
● Reiss & Sohn, Auktion 215: Wertvolle Bücher, Handschriften Vom Mittelalter bis zur Moderne, 3-4 May 2023, lot 818 [link]
● John Robertshaw, Huntingdon, Cambridgeshire; their Catalogue 165 ([Huntingdon,] 2023), item 24 (£1950; “In a beautiful late 16th century fanfare style binding possibly from the Soresini workshop in Rome. The covers are decorated with a rich design of grotesque figures interlacing tendril etc. within a double gilt fillet. At the centre of the upper cover there is a small fountain and and also there is the name ‘Ivlian: Fontivs’ in gilt; on the lower cover there is the name ‘Scipio: Orlandi’, spine gilt in compartments. Some old restoration at joints, corners and edges, crack in upper joint, but still firm, later but not recent endpapers” [link])
(b) Lycophron Chalcidensis, Alexandra, sive Cassandra. Cum versione latina Gulielmi Canteri (Geneva: [Jean de Tournes for] Jérôme Commelin [of Heidelberg], 1596)
provenance
● Giulio Della Fonte, family arms and “Ivliani Fontivs” lettered on upper cover
● Bernard Galateau & Pierre Poulain, Livres du XVe siècle à nos jours, Montignac-Lascaux, 23-25 August 2011, lot 812 (“Reliure aux nom et armes de Julianus Fontius sur le premier plat et Scipio Orlandinus sur le second. Dos refait, coupes et coins restaurés, gardes renouvelées”) [link]
A possible Orlandini – Della Fonte friendship binding, on a copy of Francisci Petrarchae De remediis vtriusque fortunae. Libri II (Venice: Alessandro Paganini, 1515), “La belle reliure porte le nom de Scipio Orlandi,” was offered by Leo S. Olschki, Monumenta typographica (Florence [1902-1903]), item 1094, and re-offered in 1904 in Olschki’s “Collection Pétrarquesque” as item 63 [link]. Another covers Marcus Tullius Cicero, M. Tvllii Ciceronis Rhetoricorvm posterior tomvs. Operum catalogum sequenti pagella inueniens (Lyon: Antoine Gryphe, 1581) ● Biblioteca Apostolica Vaticana, R.G.Classici.VI.327(Int.1) (opac Legatura restaurata in pelle. - Il piatto posteriore presenta la decorazione originaria con fregi fitomorfi, incisione “Scipio Orlandi”. Taglio dorato. [link; image, link])
3. Claudio De Dominicis, Membri del senato della Roma Pontificia: Senatori, Conservatori, Caporioni e loro Priori e Lista d’oro delle famiglie dirigenti (secc. X-XIX) (Rome 2009), p.267 [link].
4. De Dominicis, op. cit., p.305 (pcr.1599, c.1602, cr.1607, c.1623, c.1645, cr.1649). According to Susanne Hoppe, Der Buon Governo des Pompeo Ruggieri. Die Fresken von Cherubino und Giovanni Alberti im Palazzo Ruggieri, PhD thesis, Universität des Saarlandes, 2015, p.23, Gaspare was Conservator (1602, 1623, 1645), Caporione of Pigna or Trastevere (1599, 1607, 1649), and Consigliere (1600, 1603, 1606, 1608, 1610, 1642, 1643, 1644).
(1) Pindarus, Olympia. Pythia. Nemea. Isthmia. Caeterorum octo lyricorum carmina. Editio secunda græcolatina, H. Stephani recognitione locupletata ([Geneva]: Henri II Estienne, 1566)
provenance
● Gaspare Ruggeri (Ruggieri; 1572-1657), armorial supralibros on upper cover
● Rome, Biblioteca Angelica, F.ANT OO.240 (opac “Legatura (restaurata) in pelle marrone con impressioni in oro. Sul piatto ant. stemma di Gaspar Roggerius; sul piatto post. stemma di Dominicus Maximus. Taglio dorato e inciso” [link])
literature
Mostra storica della legatura artistica in Palazzo Pitti (Florence 1922), no. 360 (“Pindari Carmina. S. L. 1556 [sic!]. 0.063 x 0.130. Legatura italiana della metà del secolo XVI, in marocchino oliva decorato di fregi in oro; al centro del piatto anteriore uno stemma con la scritta: Gaspar | Rvggerivs; in quello posteriore altro stemma con la scritta: Dominicvs | Maximvs. Dorso dorato; taglio inciso e dorato. (R. Bibl. Angelica, Roma).” [link])
Cento belle legature italiane esposte nella Biblioteca Naz. Marciana di Venezia, Primo Congresso mondiale delle biblioteche e di bibliografia, Roma-Venezia 15-30 giugno MCMXXIX-a.VII (Rome 1929), p.38 no. 66 (“Mar. oliva a compartimenti di spirali d’oro punteggiate, terminate da rosoni e da ghiande a tratteggio ed a pieno. Ne l’ovale centrale del piano anteriore, le armi di Gaspare Ruggeri; ne l’ovale di quello posteriore, le arme di Domenico Massimi. Dorso decorato a fascie con emblemi militari. Taglio scolpito, dorato e colorato”)
(2) Plutarchus, Plutarchi Cheronaei philosophi et historici Vitae comparatae illustrium virorum Graecorum & Romanorum, ita digestae et in tomos tres dispertitae, ut temporum ordo seriesque constet. Hermanno Cruserio I.C. interprete (Lyon: Antoine Gryphe, 1566)
(3) Giovanni Boccaccio, Il Decamerone di m. Giouan Boccaccio, alla sua intera perfettione ridotto, et con dichiarationi et auuertimenti illustrato, per Girolamo Ruscelli. Ora in questa terza editione dal medesimo per tutto migliorato (Venice: Vincenzo Valgrisi & Baldassarre Costantini, 1557