Armorial painted in Italy ca 1550 (illuminator unknown) [BSB, cod. icon. 276, f.42, link]
The volumes contain no inscription, or other clue to the identity of their first owner. The arms have been identified as those of a “Cardinal Torregiano” and of (unnamed) members of the Della Torre, Giustiniani, and Novarini families. They match most closely the Novarini of Verona.2 The family is obscure, though flourishing from the fourteenth to the end of the seventeenth century. Members known by name include Girolamo, patron of an altar in the Convento S. Girolamo (1504); Antonio, fl. 1524; Giovanni Francesco, fl. 1558; and Giovanni Paolo, Giudice di Collegio, 1588-1589.3
The books seem to have come onto the market in the 1860s. One has an ownership inscription dated 1859 on an endleaf (no. 10); six were offered in a fixed price sale catalogue of an unidentified Parisian bookseller in the 1860s,4 then in an auction in Paris of the stock of the bookseller Giovanni Gancia in 1868 (nos. 2-4, 6-8).
1. Anthony Hobson & Paul Culot, Italian and French 16th century bookbindings (Brussels 1991), p.99 (as a French binding).
2. Munich, Bayerische Staatsbibliothek, Codices iconographici 276: XI. Insignia nobilium Veronensium, Vicentinorum, f. 42 [link]. The illuminator displays the eagle without a crown; it appears in the armorials seen by Eugenio Morando di Custoza, Armoriale Veronese (Verona 1976), no. 1833 (manuscript armorials of Alberti, G.A. Verza, De Parenti, of 17-18C); and is described by G.B. di Crollalanza, Dizionario storico-blasonico delle famiglie nobili e notabili italiane estinte e fiorenti (Pisa 1886-1890), II, pp.217-218 (“D’oro, ad una torre di rosso, aperta e finistrata di nero, piantata sopra una terrazza di verde, e sormontata da un’aquila di nero, imbeccata e menbrata di rosso, coronata d’oro”) [link], and by J.B. Rietstap, Armorial général: précédé d’un dictionnaire des termes du blason (Gouda 1884-1887), II, p.329 (“D’or à une tour de gu., ouv. et aj. de sa., posée sur une terrasse de sin. et supp. une aigle de sa., bq. et m. de gu., cour. d’or.”) [link].
3. Antonio Cartolari, Famiglie già ascritte al nobile Consiglio di Verona (Verona 1854), II-III, p.74. The Novarini arms are identified in fresco decoration executed ca 1560-ca 1580 by Paolo Farinati in Ca’ Zenobia (now Forlati), Sommacampagna, Verona, by Federico Dal Forno, “Ca Zenobia a Sommacampagna e gli affreschi di Paolo Farinati esaltanti virtu femminili” in Studi Storici Luigi Simeoni 46 (1996), pp.207-216.
4. The fixed-price catalogue has a drop-head title “Catalogue de la Bibliothèque d’un amateur. Pour les conditions, voir la couverture du présent Catalogue” and colophon “imp. De Jouaust, rue Saint-Honore, 338” (p.96). Unfortunately, this “couverture” was discarded in what may be the only surviving copy, kept by the Florentine bibliophile Giovanni Nencini (1803-1878), and bequeathed by him to the Biblioteca Nazionale Centrale di Firenze (shelfmark Nencini 2.10.5.42, with notation “Manca il frontispizio” [link]). Both the identity of the vendor (Giovanni Gancia? Antoine-Laurent Potier? Librairie Bachelin-Deflorenne?) and the issue date of the catalogue are uncertain (the latest date found in the text is 1865). Some entries state “Voir la photographie” (e.g., no. 1 in our List below) and it is notable that the 1868 sale catalogue (Paris, Imp. de Jules Bonaventure”) was likewise illustrated by photographs. Bound with the “Catalogue de la Bibliothèque d’un amateur” in the Nencini-BnC volume are copies of the 1860 Gancia sale catalogue (Boulouze & A.-L. Potier, Livres rares et précieux, provenant de la collection de M. G.G. … de Br. … [Gancia de Brighton], 13-18 February 1860) and the 1861 Melville Glover sale catalogue (Delbergue-Cormont & René Muffat, Catalogue de beaux livres de la bibliothèque de feu M. P… Amateur lyonnais. Collection formée de 1801 a 1850 et depuis augmentée par M. Melville Glover, Paris, 7-8 March 1861).
(1) Ammianus Marcellinus, Ammiani Marcellini rerum gestarum libri decem et octo (Lyon: Sébastien Gryphe, 1552)