Jean Brinon (ca 1520-1555) was the son and sole heir of Jean I Brinon (d. 1528), seigneur de Villennes, 1er Président au Parlement de Rouen. After his father’s death, he was placed in the charge of Nicolas Séguier, seigneur de Saint-Cyr, and Maître des comptes, who appointed Loys Chesneau (d. 1572, known as Ludovicus Querculus), afterwards principal of the Collège de Tours, as the boy’s tutor. From Chesneau he perhaps acquired the love of poetry which he later indulged at his château at Médan, showering gifts and hospitality on poets and intellectuals, particularly members of the Pléiade, and exhausting his inheritance. By 1553, Brinon was in dire financial straits, obliged to cede by notarial contract part of his fortune to the Cardinal de Lorraine. His library was dispersed under unknown circumstances: one volume (no. 1, below) was acquired in 1567 by the Parisian bibliophile Jacques Malenfant, seigneur de Preyssac (ca 1530-ca 1603); another (no. 19) was in Leiden in the possession of the poet and diplomat Daniel Rogers (ca 1538-1591).
Between 1549 and his sudden and unexplained death in March or April 1555, aged about thirty-five, at least a dozen books were dedicated to Brinon by the poets and musicians who were receiving his hospitality and patronage.2 Copies of those books with recognisable evidence of Brinon’s ownership are unknown. Books by others who dedicated individual poems to him, attended gatherings on his estate at Médan, and benefitted from his support, such as Jean Dorat, Étienne Jodelle and Jean-Antoine de Baïf, also are unknown. Surely, Brinon was gifted some if not all of these books? Since he was passing books to his binders until just weeks before his death - a volume stamped with his arms contains three editions printed by Johann Oporinus of Basel, dated September 1554-February 1555 - we surmise that he was not in the habit of indicating his ownership systematically. Unless an inventory should come to light, it is doubtful that the true extent and character of Brinon’s library can be ascertained.
Jean Brinon experimented with three ways of showing his personal ownership of a book. On a single binding (no. 7), bound in Paris about 1538, by Jean Picard, in brown calf, the genitive of his Latinized name plus “et amicorum” is tooled in gilt on both covers. This practice, introduced in France by Jean Grolier, was then confined to a few bibliophiles who bought their bindings in Paris.3 On another binding (no. 5), bound in Paris after 1546, in brown morocco, his motto “Espoir me tormente” is lettered on both covers. Brinon’s preferred way of proclaiming his ownership, used on 24 recorded bindings, is more explicit. On the upper covers of these bindings, all in brown calf over pasteboards, tooled in blind and gold to a panel design, the centres are occupied by a circular armorial stamp incorporating Brinon’s name and the title Conseiller du Roi au Parlement de Paris conferred on him in 1544.4 In the centres of the lower covers is another circular stamp, containing his motto “Espoir me tormente” and a complex monogram (the motto and monogram are impressed from individual stamps). Once again Brinon was among the avant garde, as only a dozen collectors were then using an armorial stamp to mark their bindings.5
1. Five volumes from Brinon’s library were listed by Anthony Hobson, French and Italian collectors and their bindings illustrated from examples in the library of J.R. Abbey (Oxford 1953), p.24-27, 181; six were counted by Geneviève Guilleminot, in Ronsard: la trompette et la lyre (Paris 1985), p.46 no. 30; and nine were known to T. Kimball Brooker, Upright works: the emergence of the vertical library in the sixteenth century, Thesis (Ph.D.), University of Chicago, 1996, pp.691-692. The latest census mentions 13 volumes: Laurent Guillo, Jean-Michel Noailly, Pierre Pidoux, “Un recueil parisien de psaumes, de chansons spirituelles et de motets (ca. 1565): Genève BGE Ms. Mus. 572” in Bulletin de la Société de l'histoire du protestantisme français 158 (2012), pp.199-233.
2. Claude Collet (Le Neufvième livre d’Amadis de Gaule, Paris: Vincent Sertenas, 1553), Louis-François Le Duchat (Praeludiorum lib. III, Paris: Jean Caveiller, 1554), Charles Fontaine (S’ensuyvent les ruisseaux de Fontaines, Lyon: Thibauld Payen, 1555), Didier Érasme (Les troys derniers livres des Apophtegmes, Paris: Étienne Groulleau, 1553), Claude Goudimel (Premier livre contenant huyct pseaulmes de David, Paris: Nicolas Du Chemin, 1551), François Habert (Le Temple de chasteté, Paris: Michel Fezandat, 1549), Claude Martin (Elementorum musices practicae pars prior, Paris: Nicolas Du Chemin, 1551), Marc Antoine Muret (Juvenilia, Paris: Widow of Maurice de La Porte, 1553), Pierre de Ronsard (Les Meslanges, Paris: Gilles Corrozet, 1555); translations of Thomas Sébillet (Euripides, L’Iphigène, Paris: Gilles Corrozet, 1549) and Gabriel Bounin (Aristotles, Les Oeconomiques d’Aristote, Paris: Michel de Vascosan, 1554).
3. Geoffrey Hobson, “Et amicorum” in The Library 4 (1949), pp.87-99. Hobson, op. cit. 1953, p.25, lists eight users of the formula; a ninth is added in Anthony Hobson, “A Binding for Geoffroy Granger” in Bibliothèque d’Humanisme et Renaissance 18 (1956), pp.280-281.
4. Édouard Maugis, Histoire du parlement de Paris de l’avènement des rois Valois à la mort d’Henry IV. 3: Rôle de la cour par règnes (1345-1610) (Paris 1916), p.187.
5. Thirteen collectors are listed by Hobson, op. cit. 1953, pp.180-181: “Appendix A: French armorial stamps used before 1550”.
Upper covers
Left Pair 1 (no. 18) – Centre Pair 2 (no. 4) – Right Pair 3 (no. 1)
Lower covers
Left Pair 1 (no. 18) – Centre Pair 2 (ohr Pl. 124, fer 4) – Right Pair 3 (no. 1)
Left Pair 1 (nos. 18; 25; 15, link) – Centre (ohr 125, fer 5; no. 4, link) – Right (no. 1, link)
Pair (1)
Upper cover, lettered: i · brinon · sr · de villaines · conseil · dv · roy · (Eugène Olivier, Georges Hermal & Robert de Roton, Manuel de l’amateur de reliures armoriées françaises, Paris 1924-1938, Pl. 125 no. 1, hereafter ohr)
Lower cover, lettered: espoir [ornament] me [ornament] tormente and monogram (ohr Pl. 125 no. 2). Aglaus Bouvenne (Les monogrammes historiques d’après les monuments originaux, Paris 1870, p.44) read the monogram on no. 16 as nine letters: b e h i n o p r s. The same nine letters were seen by ohr on no. 25; in Lucien Scheler’s analysis (op. cit.) of that binding, there are ten letters: a b e h i n o p r s.
Found on Belon 1553 (quarto); Collazio 1540 (octavo); Estienne 1554 (octavo); Euripides 1544 (octavo); Phalaridis 1545 (octavo); Pomponius Laetus 1544 (octavo); Second 1541 (octavo); Steuco 1531 (octavo); Theocritus 1515 (octavo); Ursinus 1522 (quarto); Vergilius 1539 (octavo)
Pair (2)
Upper cover, lettered: i · brinon · sr · de · villaines · conseil · dv ·roy · ✠ (ohr 125 Pl. 125 no. 3)
Lower cover, lettered: · espoir · me · tormente · and monogram (ohr Pl. 125 no. 4)
Found on Beuther 1551 (octavo); Huttich 1550 (octavo); Ovidius 1543 (folio); Sophocles 1549 (octavo); Trithemius 1545 (quarto)
Pair (3)
Upper cover, lettered: i · brinon · sr · de · villaines · cōseil · dv ·roy · (not recorded by ohr)
Lower cover, lettered: espoir [ornament] me [ornament] tormente and monogram (not recorded by ohr). The monogram was read by Laurent Guillo, Jean-Michel Noailly & Pierre Pidoux as nine letters: a b c e h m n o s.
Found on Aristophanes 1498 (folio), Sidonius 1542 (quarto)
Unknown fers: Arsenios 1544 (octavo); Giraldi 1548 (folio), Homerus 1541 (folio), Ovidius 1550 (folio), Plautus 1552 (octavo), Theocritus 1554 (octavo).
Not armorial bindings: Bucolica 1546 (octavo), Estienne 1536 (octavo). Re-bound: Ms Roman de la Rose
(1) Aristophanes, Comoediae novem (in Greek) (Venice: Aldo Manuzio, 1498)
Image courtesy of Federico Macchi
provenance
● Jean II Brinon de Villaines (1520?-1555), supralibros (pair #1)
● Brescia, Biblioteca Queriniana, Cinq.F.30 (opac [link])
(22) Theocritus, Theokritou Boukolika (Florence: Filippo I Giunta, 10 January 1515)
(a) Giovanni Boccaccio, Le philocope (Paris: Charles L’Angelier, 1555)
provenance
● Jean II Brinon de Villaines (1520?-1555)
● Alde, Livres anciens du XVe au XIXe siècle; impressions elzéviriennes et d’Yverdon, Paris, 24 February 2017, lot 8 (“Belle reliure à entrelacs de cire peinte ornée d’un fer aux trois croissants de lune entrelacés”, “Le nom De Villaines figure dans deux ex-libris manuscrits différents - l’un en capitales romaines, l’autre en cursives bâtardes - inscrits sur le titre et le second contreplat du volume. Il pourrait s’agir, sans certitude, d’une marque de provenance du célèbre bibliophile Jean II Brinon († 1555), seigneur de Villaines. “ [RBH 25854-8]